- Fuzzmeasure user guide pdf full#
- Fuzzmeasure user guide pdf software#
- Fuzzmeasure user guide pdf windows#
I have not tried numerous analysis programs because REW seemed to work good for my purposes. It can be a real pita running other tools simultaneously as they seem to influence each other somehow. I also use RME's Digicheck, but that only works with an RME interface.įor most simple stuff, like room correction, I would certainly welcome a REAPER solution.
Fuzzmeasure user guide pdf windows#
It's Windows only, but runs fine under Wine. ARTA is not free, but like REAPER, it is very affordable. REW is good, but has one major disadvantage: it's written in Java. But I know that's there, and I know where I'm at when I'm mixing. It makes the booms on the Netflix movies that little bit more dramatic and gives music a little bit more oomph and is just a little bit more like a typical hyped playback system.
On my studio machine, I have a ReaEQ in monitor FX to compensate, but when I flip over to the "living room" machine, I don't have that, so everything I listen to there is a little fuller in the bass region. I can't adjust the crossover point on either set of speakers. except there's an area of overlap between my main monitors and my subs. I am lucky enough that my mix room is also the living room, and my monitors are also my "entertainment system", so about everything I listen to at home is through that system. Listen to everything through them as often as possible. Then, you'll be much better served actually just learning your monitors. If you haven't treated your room (and it's not like huge so that it doesn't matter at the mix position) then you should try and get that done. So I'm not the least bit surprised that it wasn't particularly pleasant. But even if you have got a good room and mic and did get the speakers good and flat, we're just not used to hearing things that way. Now pending more info about the mic and the room, I'm willing to bet that when you got it to "flat" it wasn't actually anywhere near flat AND it was smeared from ringing at certain frequencies AND if you got real deep into with ReaEQ you were also smearing relative phase all over the place. Whether or not that's worth it is another question.
If you could trust the room itself, and had a flat mic, then you could compensate for your speaker's inherent response curve.
Fuzzmeasure user guide pdf software#
More sophisticated software help with that I think, but of course the right answer is proper acoustic treatment.
You can turn down a given frequency so that it's resonance isn't so much louder than other freqs, but it'll still last longer for a given impulse - very much like frequency specific reverb. Then you remember that (as the others above have been hinting), a simple EQ can't do anything about ringing and decay times. If you were planning on using just one capture position - then that would only be good for that exact location - a few inches either way and the captured curve could (and most likely will) sound very different - especially in a normal room.įirst you need a microphone that's actually reasonably flat at least out to the limits of what your speakers can do, or at least one that's been analyzed and has a compensation curve available. I can't see how pink noise would work particularly well - without using complex filtering on the signal captured to identify room resonance peaks and dips. Sonarworks is way easier - it actually works out the location of the mic from the captured audio itself (this saves a lot of time and appears to be very accurate). The reason it takes a long (well 10 minutes or so with sonarworks) time to set up is that you move the microphone around to different positions - and I guess it takes an average across all readings (having worked out where the mic is with respect to the speakers and weighting the results appropriately with regard to the specified listening position).ĪRC system has a set pattern that you need to position the microphone in for each room analysis.
Fuzzmeasure user guide pdf full#
I use speaker correction software (used to use IK ARC2 - and now Sonarworks).īoth systems use a fast sine full spectrum sweep - sounds like a blip - for analysis.
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